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Museum Quality Fine Art Prints 

Prints

High Resolution Images for the discerning eye

Prints that try to convey the emotions felt at the moment of capture

Limited Run

Large Format Prints

Panoramic

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From the compact 8"x5" to the wall filling 104"x40" I offer prints of all sizes. I suggest indulging in a large scale print that can immerse the viewer and allow you to appreciate the intricate details and textures.

Giclee Printing

Giclee Printing

Attempting to transform the vision in the field into stunning reality with our premium Giclée prints using the state-of-the-art Canon imagePROGRAF PRO-4100 printer with eleven LUCIA Pro inks and a special Chroma Optimizer ink. Renowned for its precision and color accuracy, this printer ensures your artworks are brought to life with unparalleled clarity, vibrancy, color rendition and higher density blacks. 

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I maintain control over the entire creative process. From the press of the shutter, to post processing and eventually the final print. The hope is that this involvement allows me to infuse each print with the same dedication and artistry that went into capturing the moment.

Featured Papers

Papers

Red River 60lb. Premium Matte PLUS

232gsm/11mil  Bright White  Acid Free

Premium Matte Plus is a professional grade photo matte inkjet paper. At 11mil thickness and 232gsm, the extra weight and thickness convey superior quality and allow the paper to handle the heaviest ink coverage. The surface is ultra-smooth, non-reflective, and bright white.

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Moab Lasal Photo Matte 235

230gsm/11 mil   Brilliant White Acid Free

The Moab Lasal is an affordable acid and lignin free dual sided high alpha cellulose paper. It utilizes inkjet receptive coating which has multiple receiving layers that equate to a superior ink load capacity, water resistance, instant drying and prints with incredible detail and excellent tonality.

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Red River 68lb. UltraPro Satin

270gsm/10.4mil  Bright white  Resin Coated

The UltraPro Satin looks and feels just like photo lab satin - a lightly textured surface that breaks up reflections and minimizes fingerprints. UltraPro Satin features a medium depth texture - just the right amount to enhance your prints without being distracting. A brilliant, bold white, it is particularly good at reproducing deep blacks and higher contrast. You will see a wider color gamut as well as smoother tonal transitions.

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Red River Big Bend Baryta 310

310gsm/12mil  Neutral White Acid Free

Big Bend Baryta offers all of the rich tonality, depth, and feel of a traditional darkroom print. The paper has an elegantly smooth finish and subtle reflectivity. Big Bend has a pleasant neutral white tone imparted by a 100% barium sulfate (baryta) layer. Big Bend Baryta offers natural richness and deep blacks and exceptional contrast.

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Moab Entrada Rag Bright 190

190gsm/15.5mil Bright White Acid Free

Moab Entrada Rag features an expanded color gamut, maximum contrast, exceptionally deep blacks and high ink load for prints with incredible detail and excellent tonality. 100% cotton fine art paper

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Custom print sizes and papers available upon request.

Contact me and we can discuss your wishes and the merits of the particular print.

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Custom

https://www.redrivercatalog.com/                                        https://www.moabpaper.com/

Print Handling

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Unrolling a fine art giclée print requires careful handling to avoid damage to the print. If you are having the print professionally framed or mounted it is suggested that it be brought straight to the framer. When handling the print follow these recommendations.

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Prepare a Clean, Flat Surface: Find a clean, flat surface large enough to accommodate the unrolled print without any risk of it getting damaged or soiled.

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Gather Necessary Supplies and Prepare area: Clean gloves (latex or nitrile recommended), and a clean, flat, smooth surface larger than the print.  All prints are shipped with glassine paper and acid free kraft paper. Use these when unrolling to protect the print.

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Wash Hands and Wear Gloves: To prevent transferring oils or dirt to the print, wash your hands thoroughly and ideally wear clean gloves before handling.

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Remove the belly band Securing the rolled print.

 

Unroll the Print Carefully. Lay the rolled print on the clean surface. Start unrolling the print slowly and gently, taking care not to crease or bend the paper. If the print has been rolled for a long time, it may resist unrolling. In such cases, allow it to rest for a while at room temperature to soften before proceeding.

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Support the Print as it Unrolls. As you unroll the print, support it evenly along its length to prevent it from curling or flopping over abruptly.

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With the Glassine still covering the print books or other clean, smooth and heavy objects can be placed on the glassine to assist in the flattening. Never place objects directly on the print. Print may take anywhere from a few hours to a full day to flatten completely depending on size and amount of time in roll.

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Inspect for Damage. Once unrolled, inspect the print carefully for any signs of damage such as creases, tears, or smudges. If you notice any damage, handle the print with extreme care to avoid exacerbating the issue. Do not try to remove dust or debris with your hands or by using your breath.  Use a air dust blower or lens brush.

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Store the Print Properly. Once the print is unrolled and flattened, store it in a clean, dry environment away from direct sunlight, extreme temperatures, and humidity. Consider storing it flat in a protective sleeve or portfolio to prevent damage during handling and storage.

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By following these steps carefully, you can safely unroll and flatten a fine art giclée print without risking damage to the artwork. Remember to handle the print with care and take appropriate precautions to preserve its integrity.

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Print Handling

Shipping and Packaging

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All prints are shipped in Acid free materials.

 

Smaller prints ship flat with glassine cover in clear bags with backing board

 

Larger prints ship rolled with glassine cover and acid free kraft paper in clear bags.

          

Shipping

Returns

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All sales final. In the event of damage or concerns; reprints will be handled on a case by case basis. I take every step to ensure that the print is packed with no defects and in pristine condition. Please follow the unpack/unroll instructions. Giclee prints are beautiful but can be delicate. 

Returns

Contact

 

Questions, Concerns or Inquiries? Contact

Contact

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